b'Guths play between the explicitin the tenors for engagement presented with each piece, and the implicit, where ones mind may wander when encountering these piecesis the pleasure of imaginative scape. Guths work performs its metamorphosis as a matter of fact within the walls of the museum space and in the minds of visitors who impose their own sensibilities as to the meanings of what is presented. This type of legibility, this type of com-munity making by Guth is the stuff of the social. The mutability of objects, commands, and offerings, and the liveness of such exchanges, posit the conditions of becoming (rather than the absoluteness of being) as vital to Guths practice.Opposite: MK GuthInstructions for Engaging with Clouds, 201742'