b'Jack Ryan Storm TharpSchumann Resonance Conduction Unit, 201519 Cadre, 2017Wood, electric components, acrylic, found objects,Ink, fabric, dye, spray paint, acrylic paint, and charcoal transducers, amplifiers, custom electronics, felt, andon papermixed and found media 36 sheets, 30 x 20 in. each; overall dimensions 126 x 36 x 32 x 48 in. (approx.) 214 in.Courtesy of the artist Courtesy of the artist and PDX CONTEMPORARY ART, PortlandInsulated Conductors (black), 2018Steel, electrical hardware components, acrylic, andWolves at the Door, 2017rubber coating Monotype on paper27 x 12 in. each; overall dimensions variable 75 x 50 in.Courtesy of the artist Courtesy the artist and PDX CONTEMPORARY ART, PortlandInsulated Conductors (orange), 2018Steel, electrical hardware components, acrylic, and rubber coating Samantha Wall32 x 12 in. each; overall dimensions variable 31 Days (December), 2017Courtesy of the artist India ink on yupo paper31 sheets, 8 x 8 in. each; overall dimensions variableCourtesy of the artist and Russo Lee Gallery, PortlandBlair Saxon-HillClimber, 2016From the series Sapporo: A Frieze of Pedestrian Ways ofLynne Woods TurnerBeing and a Few Individual Portraits Twenty-one untitled drawings, 2013Archival pigment print Pencil and colored pencil on paper38 x 34 in. 21 sheets, 3 x 3 in. each (approx.)Courtesy of the artist and Nino Meir Gallery, Los Angeles Courtesy the Miller Meigs CollectionCompelled, 2016From the series Sapporo: A Frieze of Pedestrian Ways of Being and a Few Individual PortraitsArchival pigment print38 x 34 in.Courtesy of the artist and Nino Meir Gallery, Los AngelesComrade, 2016From the series Sapporo: A Frieze of Pedestrian Ways of Being and a Few Individual PortraitsArchival pigment print42 x 32 in.Courtesy of the artist and Nino Meir Gallery, Los AngelesCurious, 2016From the series Sapporo: A Frieze of Pedestrian Ways of Being and a Few Individual PortraitsArchival pigment print38 x 34 in.Courtesy of the artist and Nino Meir Gallery, Los Angeles101'