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by Rowan Johnson
SOU Class of 2025, Creative Writing

Al Farrow, Blue Helmet, 2021-2022, gun parts, military helmet, cartridge shells, child's gas mask, hand grenade, gears, and steel. Courtesy of the artist and Catharine Clark Gallery

Art and Protest 

As we see different protests and rallies across the globe, there are some commonalities despite the difference in cause, message, and location. One of those commonalities is the presence of art. From handmade signs to stickers left on street lights, the arts and activism have always been intricately linked. Frieze Magazine sent out a poll to artists, curators, and writers asking two main questions: How important is art as a form of protest, and how effective is it at creating change? More than 50 artists from over 30 countries responded with essays, images, and films. The link below has a few examples of the responses given. 

The Schneider Museum of Art’s winter exhibition What’s at Stake is an example of the strength art holds as a form of advocacy. Al Farrow, an artist featured in the Main and Heiter Galleries, began his journey into political art after involvement with anti-war protests during the Vietnam War. His work is a kind of protest for change, asking viewers to really consider the costs of armed conflicts. Who benefits from brutality, and who pays the consequences?


https://www.frieze.com/article/how-important-art-form-protest

Masami Teraoka, Notre Dame Swan Lake/Dress Rehearsal, 2022 Oil on panel in gold leaf triptych Courtesy of  the artist and Catharine Clark Gallery

Swan Lake

As Russian protesters face arrest and violence for speaking against the government, the landscape of activism has had to change to keep people safe. One of the ways citizens are getting their voices heard inadvertently is through public clips of the renowned ballet, Swan Lake. The performance became a symbol of resistance in 1982 after the death of Premier Leonid Brezhnev, as it was aired on a loop as Soviet leaders scrambled to select a successor. The trend continued as the years went on and more leaders passed; Swan Lake became associated with the death of people in power. Today, amidst protests within Russia against the war in Ukraine, Swan Lake has been revived. Ballerinas grace walls of graffiti and an independent news station that was pressured to halt production indefinitely over their coverage of the war signed off with a clip of the performance. 

Artist Masami Teraoka uses this symbol of quiet rebellion in his Swan Lake series. The pink tutus among tanks, bloodstains, and ruins hold the facade and reality as one. Learn more about Swan Lake as a symbol of resistance with the link below, and find Teraoka’s work in the Main Gallery of the Schneider Museum of Art.

https://abcnews.go.com/International/swan-lake-symbol-protest-russia/story?id=84401801

Artist Wesley Hicks

Wesley Hicks

 

Artist and musician Wesley Hicks lives and works out of Los Angeles, California. He has an impressive number of mediums in his arsenal, including pottery, sculpture, origami, instrument crafting, sound design, and scents. He is also a published writer and creative cook. His work engages with all of the senses, both physical and psychological. Hicks will be joining the Schneider Museum of Art for a Creative Industries Discussion next Friday (2/9) at 3pm in the SOU Meese Auditorium (Art Building). This event is free and open to the public. Join us to learn more about his interdisciplinary work and ask questions about his artistic process. The link to his website can be found below. We encourage you to explore the variety of talents he has and engage with him about his work. We hope to see you there!

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The Schneider Museum of Art is located within the ancestral homelands of the Shasta, Takelma, and Latgawa peoples who lived here since time immemorial. These Tribes were displaced during rapid Euro-American colonization, the Gold Rush, and armed conflict between 1851 and 1856. In the 1850s, discovery of gold and settlement brought thousands of Euro-Americans to their lands, leading to warfare, epidemics, starvation, and villages being burned. In 1853 the first of several treaties were signed, confederating these Tribes and others together – who would then be referred to as the Rogue River Tribe. These treaties ceded most of their homelands to the United States, and in return they were guaranteed a permanent homeland reserved for them. At the end of the Rogue River Wars in 1856, these Tribes and many other Tribes from western Oregon were removed to the Siletz Reservation and the Grand Ronde Reservation. Today, the Confederated Tribes of Grand Ronde Community of Oregon (https://www.grandronde.org) and the Confederated Tribes of Siletz Indians (http://www.ctsi.nsn.us/) are living descendants of the Takelma, Shasta, and Latgawa peoples of this area. We encourage you to learn about the land you reside on, and to join us in advocating for the inherent sovereignty of Indigenous people.
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