View this email in your browser
by Rowan Johnson
SOU Class of 2025, Creative Writing

Frieda Golding, Passages, 2019, mixed media, courtesy of the Rogue Valley Manor Collection

Frieda Golding

Ashland, Oregon-based artist Frieda Golding is known for her lyrical paintings. Full of smooth movement, the lines of Golding’s work are confident and colorful. She works primarily with watercolor, pencil, and ink because she wants the “transparency” of the materials to create an organic  “glow” on the paper. The movement within her works mimics the everchanging movement of the natural world around us. Golding appreciates the intimacy of her work, drawing inspiration from the local flora and creating her own meaning from it. Her piece Passages is currently on display in the Entry Gallery of the Schneider Museum of Art. Learn more about Frieda Golding with the link below, and see her work while it’s showing. 

https://orjewishlife.com/lifetime-of-movement-reflected-in-friedas-portable-art/

Mark Sengbusch, Blue Bird, 2019, acrylic on Baltic Birch plywood, 20 x 20 x 24 in., courtesy of the artist

Baltic Birch Plywood

Native to the northeast region of Europe, Baltic birch plywood is a reliable material for woodworkers around the world. The strong screw hold, sleek appearance, and laser-cutting compatibility are just a few of the reasons this plywood is so reliable. Artist Mark Sengbusch uses Baltic birch plywood in his bright and bold sculptures. He uses the wood’s thin but durable nature to play with the relationship between the two and three-dimensional. With tight joinery and fascinating geometric shapes, Sengbusch’s work is a show of both his artistic and technical skills. See his work in the Heiter and Treehaven Galleries of the Schneider Museum of Art, and learn more about the material he used with the link below. 

Jan van der Ploeg, WALL PAINTING No. 545 Untitled, 2023, acrylic on wall, courtesy of the artist

Site-Specific Art

Creating art designed to be shown in a specific space changes the way art interacts with its environment. Site-specific art considers the energy of the room and works with it to create something physical. Many contemporary artists and sculptors play with this concept, creating large-scale installations that become the focal point of the gallery. The practice stems as a response to modernism. Where modernism argues that art is transportable and decorative, site-specific art is intimately linked to the location of its creation. Artist Jan van der Ploeg created a wall mural in the Schneider Museum of Art’s Treehaven Gallery as a part of our current exhibition Intuitive Nature: Geometric Roots & Organic Foundations. The bold colors and smooth lines tie the room together, accentuating the shapes and slopes present. Learn more about the history of site-specific art with the link below, and see Jan van der Ploeg’s work while it’s still showing. 

https://www.artlex.com/site-specific-art/

 Subscribe to our YouTube Channels

The Schneider Museum of Art and the Oregon Center for the Arts now have YouTube channels. Subscribe today to stay up to date on all the art happenings at SOU.
(VIDEO) What the Robin Whispered: A Procession to Celebrate the Coming of Spring by Dennis McNett
Schneider Museum of Art Schneider Museum of Art
Oregon Center for the Art Oregon Center for the Art

Thank you to our sponsors!


Thank you to our
2023 Gala Sponsors!

 


PLATINUM


James M. Collier, Sponsor of the
2023 Oregon Arts Medallion

Jeannie Taylor


 

SILVER

 


0(0%)

 


0(0%)
 

BRONZE


Carole Kehrig

 

Cindy Barnard


Diane C. Yu


Jean Conger


Mary & John Bjorkholm


Richard Kleffman & Kenneth Benton


Roberta & Kumar Bhasin


Sandra Friend


Vivian & Dan Stubblefield


1(3%)


0(0%)

 

TREEHAVEN SPONSOR


Barbara & Harry Oliver
 

WINE SPONSORS


Red Hills Cellars & Jaxon Wines

Twitter
Facebook
Website
Email
Instagram
YouTube
The Schneider Museum of Art is located within the ancestral homelands of the Shasta, Takelma, and Latgawa peoples who lived here since time immemorial. These Tribes were displaced during rapid Euro-American colonization, the Gold Rush, and armed conflict between 1851 and 1856. In the 1850s, discovery of gold and settlement brought thousands of Euro-Americans to their lands, leading to warfare, epidemics, starvation, and villages being burned. In 1853 the first of several treaties were signed, confederating these Tribes and others together – who would then be referred to as the Rogue River Tribe. These treaties ceded most of their homelands to the United States, and in return they were guaranteed a permanent homeland reserved for them. At the end of the Rogue River Wars in 1856, these Tribes and many other Tribes from western Oregon were removed to the Siletz Reservation and the Grand Ronde Reservation. Today, the Confederated Tribes of Grand Ronde Community of Oregon (https://www.grandronde.org) and the Confederated Tribes of Siletz Indians (http://www.ctsi.nsn.us/) are living descendants of the Takelma, Shasta, and Latgawa peoples of this area. We encourage you to learn about the land you reside on, and to join us in advocating for the inherent sovereignty of Indigenous people.
Copyright © 2018 Schneider Museum of Art, All rights reserved.

Our address is:
555 Indiana Street
Ashland, OR 97520

Want to change how you receive these emails?
You can update your preferences or unsubscribe from this list.