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by Rowan Johnson
SOU Class of 2025, Creative Writing

Iván CarmonaCampo Abierto, 2022, Mineral silicate paint on ceramic, 78 x 26 x 14 in., courtesy of the artist and Winston Wachter Gallery

Art and Memory

The ability to evaluate, interpret, and integrate outside perspectives impact human memory in a distinct way. These elements of reflection allow us the unique capacity to form an autobiographical, or life, narrative. This autobiographical memory is most commonly captured in written form with memoirs, autobiographies, and documentaries, as the story element of these narratives lends itself to these forms. Art, however, is also a medium that can explore the complex relationship and memories between the self and the world. Iván Carmona’s work is a perfect example of sculpture as an autobiography. The names of his pieces are all in Spanish, a homage to his roots in Puerto Rico. His piece Campo Abierto is an abstraction of his memory of the sky and sea meeting from a view near his familial home, showing the ways emotional memory guides us in our recollection of the world around us. Learn more about the relationship between art and memory with the link below, and visit the Schneider Museum of Art to see Carmona’s work in the exhibition Intuitive Nature: Geometric Roots & Organic Foundations.

https://www.khanacademy.org/partner-content/tate/archives-memory/art-and-memory/a/what-role-does-memory-play-in-art

Jason Stopa, A Serene Labyrinth, 2022, oil on canvas, 72 x 60 in., Courtesy of the artist and Diane Rosenstein Gallery.

Religious Architecture

Sacred and religious buildings are some of the most well-preserved man-made structures. They act as a time capsule for religious and cultural ideologies of the past, and serve as a place of worship and community today. While the upkeep from devout followers has helped with the longevity of these sites, the architectural integrity of these buildings also plays a large role in their resilience through time. From the large domes of cathedrals to the tiered towers with multiple eaves found on Buddhist stupas, many places of worship are built with incredible attention to detail and creative architecture. Artist Jason Stopa takes these forms of architecture and creates abstractions of them, giving a new perspective to our idea of structure and shape. His work can be found in both the Main Gallery and Heiter Gallery of the Schneider Museum of Art’s show, Intuitive Nature: Geometric Roots & Organic Foundations. Learn more about the different facets of religious architecture with the link below, and see Stopa’s work in person to explore these structures in a new light.

https://www.wikiwand.com/en/Sacral_architecture

Andrew Kleindolph, Modern Digestion, 2022, UV coated SLS and ABS 3D printing, microcontroller, custom designed addressable LEDs, rechargeable battery, 5.3 x 5.3 x 1.6 in., courtesy of the artist.

Functional Art

While fine art serves a mainly aesthetic and visual purpose, functional, or utilitarian art is meant to be experienced beyond the paper. Their aesthetic value and functionality can work together in a tangible way to create mindful moments in everyday life. Sculptures, ceramics, and even books are considered traditional mediums of utilitarian art. Artists like Andrew Kleindolph are working to bring a more modern and experimental edge to the scene. Using CNC technology and LED lights, Kleindolph creates light fixtures that can be appreciated as intricate technology, abstract sculpture, and wonderful lamps. With both a bright, color changing light and creative form, Kleindolph’s pieces are a perfect blend of aesthetic and utilitarian. See his works in the Heiter Gallery of the Schneider Museum of Art, and read more about the pleasure of functional art with the link below.

https://artfilemagazine.com/functional-art/

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The Schneider Museum of Art is located within the ancestral homelands of the Shasta, Takelma, and Latgawa peoples who lived here since time immemorial. These Tribes were displaced during rapid Euro-American colonization, the Gold Rush, and armed conflict between 1851 and 1856. In the 1850s, discovery of gold and settlement brought thousands of Euro-Americans to their lands, leading to warfare, epidemics, starvation, and villages being burned. In 1853 the first of several treaties were signed, confederating these Tribes and others together – who would then be referred to as the Rogue River Tribe. These treaties ceded most of their homelands to the United States, and in return they were guaranteed a permanent homeland reserved for them. At the end of the Rogue River Wars in 1856, these Tribes and many other Tribes from western Oregon were removed to the Siletz Reservation and the Grand Ronde Reservation. Today, the Confederated Tribes of Grand Ronde Community of Oregon (https://www.grandronde.org) and the Confederated Tribes of Siletz Indians (http://www.ctsi.nsn.us/) are living descendants of the Takelma, Shasta, and Latgawa peoples of this area. We encourage you to learn about the land you reside on, and to join us in advocating for the inherent sovereignty of Indigenous people.
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