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by Rowan Johnson
SOU Class of 2025, Creative Writing

Dear readers,
We at the Schneider Museum of Art are excited to announce that Inside the Museum is back from its Summer hiatus! We appreciate your patience and hope to have another wonderful year of art exploration and education. We hope to provide more insight, background, and context for the art that comes through our building and hope it helps you engage in new ways. Join us on Thursday, October 5th from 5 to 7 pm for the opening reception of our fall exhibition, Intuitive Nature: Geometric Roots & Organic Foundations, and read a little bit about the show with this week’s newsletter! Articles will continue to come out weekly, with new artists featured in each issue. We look forward to seeing you at the Schneider Museum of Art!
-Rowan

Jan van der Ploeg, PAINTING No.22-46 Untitled, 2022, acrylic on canvas, 29 x 29 cm. Image: Courtesy of the artist

Geometric Art

More commonly referred to as geometric abstract art, this style is marked by its use of geometric forms, linework, and colors that contrast those found in realistic art. Famous artists such as Picasso and other artists of the Cubism movement utilized geometric art to create works that opposed the idea that art had to be solely representational and realistic in order to “mean” something. Inspired by art movements like impressionism, symbolism, and expressionism, many artists that follow this tradition take a more emotional and spiritual approach to their work. These pieces tend to focus more on what it feels like rather than what it looks like. In our exhibition Intuitive Nature: Geometric Roots & Organic Foundations, geometric shapes sit at the base of innovation. Through new lenses and artists that push the envelope, geometric art serves as a building block for the experimental and lively works on display. Visit the Schneider Museum of Art today to feel the atmosphere for yourself, and click the link below to learn more about the history of geometric art.
https://theartling.com/en/artzine/collecting-geometric-art-guide/

Artist and Writer Shane McAdams

Shane McAdams

Artist and writer Shane McAdams uses topography as a blueprint for his work. Enamored by natural formations and visual timelines, McAdams’s art captures the slow, ever changing beauty of the landscape against man’s desire for instant gratification. Since 2018, he’s been running a space out of Milwaukee, Wisconsin with fellow artist Keith Nelson called Real Tinsel Gallery. The gallery shows contemporary, socially relevant pieces with the goal of making art more accessible. As a writer, McAdams’s work can be found in publications such as The Brooklyn Rail, The Daily Beast, and The Shepherd Express. With both an eye for creation and critique, McAdams was the perfect person to write the essay for our fall exhibition, Intuitive Nature: Geometric Roots & Organic Foundations. His knowledge and appreciation of the land as both content and material adds another layer to ponder while interacting with the art. Read his essay down below, and visit the Schneider Museum of Art to connect back to our roots of simplicity.

https://sma.sou.edu/exhibitions/intuitive-nature-geometric-roots-organic-foundations/

Courtney Puckett, The Preparator, 2021, found objects, repurposed textiles, 52 x 27 x 25 in.
Image: Courtesy of the artist

Sustainability

One man’s trash can be another man’s treasure, or art supply. Found objects in art serve both an aesthetic and political purpose. As attention and anxiety around the climate crisis grows, many artists have started to give new life to the discarded items in their communities through sculpture. Some artists, such as Gregory Dellis, put the plastics front and center, asking viewers to consider their impact on the environment and the finite nature of the material. Others, like Courtney Puckett, use recycled textiles and mixed media to create sculptures full of curiosity and flow. While the recycled textiles aren’t the main visual draw of Puckett’s work, the underlying message of conservation, repurposing, and mindful consumption come into play when engaging with her work. Puckett is one of eight artists that can be found in the Schneider Museum of Art’s fall exhibition Intuitive Nature: Geometric Roots & Organic Foundations

 Subscribe to our YouTube Channels

The Schneider Museum of Art and the Oregon Center for the Arts now have YouTube channels. Subscribe today to stay up to date on all the art happenings at SOU.
(VIDEO) What the Robin Whispered: A Procession to Celebrate the Coming of Spring by Dennis McNett
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Oregon Center for the Art Oregon Center for the Art

Thank you to our sponsors!

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The Schneider Museum of Art is located within the ancestral homelands of the Shasta, Takelma, and Latgawa peoples who lived here since time immemorial. These Tribes were displaced during rapid Euro-American colonization, the Gold Rush, and armed conflict between 1851 and 1856. In the 1850s, discovery of gold and settlement brought thousands of Euro-Americans to their lands, leading to warfare, epidemics, starvation, and villages being burned. In 1853 the first of several treaties were signed, confederating these Tribes and others together – who would then be referred to as the Rogue River Tribe. These treaties ceded most of their homelands to the United States, and in return they were guaranteed a permanent homeland reserved for them. At the end of the Rogue River Wars in 1856, these Tribes and many other Tribes from western Oregon were removed to the Siletz Reservation and the Grand Ronde Reservation. Today, the Confederated Tribes of Grand Ronde Community of Oregon (https://www.grandronde.org) and the Confederated Tribes of Siletz Indians (http://www.ctsi.nsn.us/) are living descendants of the Takelma, Shasta, and Latgawa peoples of this area. We encourage you to learn about the land you reside on, and to join us in advocating for the inherent sovereignty of Indigenous people.
Copyright © 2018 Schneider Museum of Art, All rights reserved.

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Ashland, OR 97520

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