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by Rowan Johnson
SOU Class of 2025, Creative Writing

Kitagawa Utamaro, A Collection of Beauties Now at the Height of Their Fame, c. 1793-1800, Ukiyo-e woodblock print on Echizen kizuki hosho washi paper, Permanent Collection of the Schneider Museum of Art 

Ukiyo-e

Literally translated to “pictures of the floating world” in Japanese, Ukiyo-e is a type of wood printing popularized during the Edo (Tokugawa) period from 1615 to 1868. With this style of prints focusing on the ever changing interests of the public, prints had to be created and printed quickly before a trend ended. The print would make its way to the hands of several different people during the entire process. Publishers, artists, carvers, printers, and government censors all had to work together to create the final product, which could be copied upwards of 200 times a day. Kitagawa Utamaro is one of the most highly regarded Ukiyo-e printers of his time. As part of the Schneider Museum of Art’s permanent collection, Utamaro’s pieces One of the Fragrance Flowers, A Collection of Beauties Now at the Height of their Fame, and Fancy Attires at Nikawa Fair in the Pleasure District are on view in the Entry Gallery. Visit today to see the soft colors and fine line shading that gives Ukiyo-e its distinct look today, and learn more about the art of Ukiyo-e with the link below.

https://education.asianart.org/resources/the-ukiyo-e-woodblock-printing-process/

Crystal Wagner, Paroxysm Bloom III, 2016, Hand-cut screened paper, clear coat, mounted on wooden panel with wire mesh armature, Courtesy of the Ft. Wayne Museum of Art

Crystal Wagner

Born in Baltimore, Maryland in 1982, Crystal Wagner uses nature as inspiration for her colorful paper sculptures. Her larger sculptures are usually site specific, using the already existing space and architecture to inspire vivid, winding shapes that challenge the space to be more. With her piece Paroxysm Bloom III, on display at the Schneider Museum of Art’s exhibition Pushing the Press, Wagner prints out pieces of paper and then hand cuts them before putting them back together into their final form as the sculpture. Visit the Schneider Museum of Art’s Treehaven Gallery to see Wagner’s work, and learn more about her with the link below under the “biography” section.

https://www.widewalls.ch/artists/crystal-wagner/

Chuck Sperry, Kalligeneia, 2018, Screenprint on oak panel, 7 colors, Courtesy of the Ft. Wayne Museum of Art

The Greek Muses

In a modern context, a muse is considered someone, usually a woman, that inspires artistic works. This word stems from the ancient Greek muses, nine daughters of Zeus and Mnemosyne, the goddess of memory. Each one of the women represented a different kind of art form. They would entertain the other gods with songs, dance, poems, and bless mortals with divine inspiration. Artist Chuck Sperry has been using the Muses as inspiration for his pop art style portraits since 2010. Sperry’s fun and bright screenprint pieces are full of life and fine detail. Learn more about inspiration for Sperry’s work with the link below, and see his work in the Schneider Museum of Art’s Treehaven Gallery today in Pushing the Press.

https://www.thoughtco.com/the-greek-muses-119788

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The Schneider Museum of Art is located within the ancestral homelands of the Shasta, Takelma, and Latgawa peoples who lived here since time immemorial. These Tribes were displaced during rapid Euro-American colonization, the Gold Rush, and armed conflict between 1851 and 1856. In the 1850s, discovery of gold and settlement brought thousands of Euro-Americans to their lands, leading to warfare, epidemics, starvation, and villages being burned. In 1853 the first of several treaties were signed, confederating these Tribes and others together – who would then be referred to as the Rogue River Tribe. These treaties ceded most of their homelands to the United States, and in return they were guaranteed a permanent homeland reserved for them. At the end of the Rogue River Wars in 1856, these Tribes and many other Tribes from western Oregon were removed to the Siletz Reservation and the Grand Ronde Reservation. Today, the Confederated Tribes of Grand Ronde Community of Oregon (https://www.grandronde.org) and the Confederated Tribes of Siletz Indians (http://www.ctsi.nsn.us/) are living descendants of the Takelma, Shasta, and Latgawa peoples of this area. We encourage you to learn about the land you reside on, and to join us in advocating for the inherent sovereignty of Indigenous people.
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