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by Rowan Johnson
SOU Class of 2025, Creative Writing

Kathryn Polk, The Fireman, 2012, Stone and plate lithography, Courtesy of Fort Wayne Museum of Art

Southern Gothic

Bridging the space between goth aesthetic and socio-political tension in the south during the 1800s, Southern Gothic started as a literary genre aimed to uncover the repressed truths of the South’s history. One of the first notable Southern Gothic writers was Edgar Allen Poe, although his work wouldn’t be categorized as such until much later. It is William Faulkner that has the latest impact on the early development of this genre with the development of the fictional Yoknapatawpha County. As an artistic movement, Southern Gothic was characterized by dark, grotesque, and uncomfortable visuals overlaying seemingly idealistic views of the pastoral south. Kathryn Polk, an artist with work at the Schneider Museum of Art’s exhibition Pushing the Press, draws inspiration from this aesthetic. With commentary about feminism, gender roles, and childhood memories laced in each picture, Polk’s work sheds a modern light on a historic genre. Visit today to see her work and explore the link below to learn more about the intricacies of the Southern Gothic genre.

https://oxfordre.com/literature/display/10.1093/acrefore/9780190201098.001.0001/acrefore-9780190201098-e-304;jsessionid=9373A037A85CB4919D264DD8FA41C023

Dennis McNett, Owl Spirit, 2021, Head: Papier-mache, acrylic, woodcut print patterns, and resin, Skeleton: Aluminum, wood, and metal, Robe: cloth, acrylic, and woodcut/silkscreen print patterns, Courtesy of the artist

Puppetry

The history of puppetry can be found around the world. As an early form of entertainment, many different cultures used it as a way to pass down social ideologies, norms, and significant stories. There are many types of puppets, such as the marionette, arm puppets, hand puppets, and body puppets with many distinct styles still seen today. As technology advances, the art of creating and showing puppetry has evolved. Large scale parade puppets, shadow puppeteering with intricate lighting, and faster production times are just a few of the ways puppeteering has changed today. In the Schneider Museum of Art’s exhibition Pushing the Press, Dennis McNett uses the old tradition of printmaking with modern construction techniques to create two large scale puppets that can be seen in the Main Gallery. Learn more about the history of puppetry with the link below and come in to see the intricate patterns and graphic linework of these wonderful puppets today.

https://www.theaterseatstore.com/blog/history-of-puppetry

Glen E. Alps, Sun Valley Sun, 1981, Burnt lacquer collagraph on paper, Permanent Collection of the Schneider Museum of Art

Collagraphs

As a printing process that utilizes texture and relief techniques to create images, collagraphs allow artists to create dimensional works using interesting materials. Wallpaper, leaves, flowers, lace, and thread are just a few examples of what can be used to create these pieces. The term for this technique was coined by artist Glen E. Alps, who used elements of collage to bring new life to traditional printing methods. In the Schneider Museum of Art’s Entry Gallery, Alps’ piece Sun Valley Sun can be seen on display. Using burnt lacquer as ink, the smokey and textured elements stand out the longer it is looked at. Learn more about how to make a collagraph with the link below, and visit the museum to see Alps’ work in person.

https://www.carolnunan.co.uk/blog/collagraphs-an-explanation-on-how-to

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The Schneider Museum of Art is located within the ancestral homelands of the Shasta, Takelma, and Latgawa peoples who lived here since time immemorial. These Tribes were displaced during rapid Euro-American colonization, the Gold Rush, and armed conflict between 1851 and 1856. In the 1850s, discovery of gold and settlement brought thousands of Euro-Americans to their lands, leading to warfare, epidemics, starvation, and villages being burned. In 1853 the first of several treaties were signed, confederating these Tribes and others together – who would then be referred to as the Rogue River Tribe. These treaties ceded most of their homelands to the United States, and in return they were guaranteed a permanent homeland reserved for them. At the end of the Rogue River Wars in 1856, these Tribes and many other Tribes from western Oregon were removed to the Siletz Reservation and the Grand Ronde Reservation. Today, the Confederated Tribes of Grand Ronde Community of Oregon (https://www.grandronde.org) and the Confederated Tribes of Siletz Indians (http://www.ctsi.nsn.us/) are living descendants of the Takelma, Shasta, and Latgawa peoples of this area. We encourage you to learn about the land you reside on, and to join us in advocating for the inherent sovereignty of Indigenous people.
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