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by Rowan Johnson
SOU Class of 2025, Creative Writing

Welcome back! With the opening of the spring exhibition, Partial Reconstructions by Mariam Ghani, the museum is happy to announce our reopening as well as new, extended hours. Thank you for your patience and we look forward to seeing you soon!

-Rowan Johnson

The Soviet army in Kabul, Afghanistan, on Dec. 31, 1979. Francois Lochon/Gamma-Rapho/Getty Images

A Timeline of the Afghanistan Conflict

Americans know the Afghanistan war due to our involvement, but the origin of the conflict stems much further back. NPR’s article A Timeline of Afghanistan’s 4 Decades of Instability looks as far back as 1979. Learn More about the full history of what has been happening in Afghanistan in the link below and come see Mariam Ghani’s exhibit Partial Reconstructions at the Schneider Museum of Art to see the physical and emotional damage to the land.

https://www.npr.org/2021/08/19/1028472005/afghanistan-conflict-timeline
JR - Face to Face Project, 2007. Image via robletat.wordpress.com

Art and Politics

From Shakespeare to Banksy, art of all forms have been used to critique social and political climates. Widewall’s article The Strong Relation Between Art and Politics talks about political art under the lens of aesthetic regime and the influence ideas of beauty have on the takeaway message of an artist’s work. Learn more about artists' contributions to political and social movements throughout history in the link below and see how Mariam Ghani is using her art to educate the masses about the physical and emotional collateral damage of a war in Partial Reconstructions.

https://www.widewalls.ch/magazine/art-and-politics

Irakly Shanidze, Ballerina Natalia Toriashvili, 2013, Leica M9, Noctilux 1/50

Photography as an Art 

The debate of photography as an art form has been a debate since the first camera was invented. With the recent developments of the digital age and social media, photography is becoming more advanced and widely recognized as art. The Art Photo Academy explores the history of photography and the different lenses it allows artists to see the world through. Learn more about photography in the link below and come see the photo exhibition in Partial Reconstructions by Mariam Ghani. 

https://www.artphotoacademy.com/photography-as-an-art-form/

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(VIDEO) Art Beyond: A Short Documentary

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The Schneider Museum of Art is located within the ancestral homelands of the Shasta, Takelma, and Latgawa peoples who lived here since time immemorial. These Tribes were displaced during rapid Euro-American colonization, the Gold Rush, and armed conflict between 1851 and 1856. In the 1850s, discovery of gold and settlement brought thousands of Euro-Americans to their lands, leading to warfare, epidemics, starvation, and villages being burned. In 1853 the first of several treaties were signed, confederating these Tribes and others together – who would then be referred to as the Rogue River Tribe. These treaties ceded most of their homelands to the United States, and in return they were guaranteed a permanent homeland reserved for them. At the end of the Rogue River Wars in 1856, these Tribes and many other Tribes from western Oregon were removed to the Siletz Reservation and the Grand Ronde Reservation. Today, the Confederated Tribes of Grand Ronde Community of Oregon (https://www.grandronde.org) and the Confederated Tribes of Siletz Indians (http://www.ctsi.nsn.us/) are living descendants of the Takelma, Shasta, and Latgawa peoples of this area. We encourage you to learn about the land you reside on, and to join us in advocating for the inherent sovereignty of Indigenous people.
Copyright © 2018 Schneider Museum of Art, All rights reserved.

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Ashland, OR 97520

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